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The Key of Solomon the King (Clavis Salomonis)
Book II - Chapter IX
Introduction Book I Chapter I - Concerning the Divine Love which ought to precede the acquisition of this knowledge Chapter II - Of the days and hours and the virtues of the planets Chapter III - Concerning the arts Chapter IV - The confession to be made by the exorcist Chapter V - Prayers and conjurations Chapter VI - Stronger and more potent conjuration Chapter VII - An extremely powerful conjuration Chapter VIII - Concerning the medals or pentacles, and the manner of constructing them Chapter IX - Of the Experiment concerning things stolen, and how it should be performed Chapter X - Of the experiment of invisibility, and how it should be performed Chapter XI - To hinder a sportsman from killing any game Chapter XII - How to make the magic garters Chapter XIII - How to make the magic carpet proper for interrogating the intelligences, so as to obtain an answer regarding whatsoever matter one may wish to learn Chapter XIV - How to render thyself master of a treasure possessed by the spirits Chapter XV - Of the experiment of seeking favor and love Chapter XVI - How operations of mockery, invisibility, and deceit should be prepared Chapter XVII - How extraordinary experiments and operations should be prepared Chapter XVIII - Concerning the pentacles or medals The Pentacles How to use the Welz Chi Generator to make this extraordinary Magick even more powerful	Book II Chapter I - At what hour after the preparation of all things necessary, we should bring the exercise of the art to perfection Chapter II - In what manner the master of the art should keep, rule, and govern himself Chapter III - How the companions of the master of the art ought to regulate and govern themselves Chapter IV - concerning the fasting, care, and things to be observed Chapter V - Concerning the baths, and how they are to be arranged Chapter VI - Of the garments and shoes of the art Chapter VII - Of places we may conveniently execute the experiments and operations of the art Chapter VIII - Of the knife, sword, sickle, poniard, dagger, lance, wand, staff, and other instruments of magical art Chapter IX - Of the formation of the circle Chapter X - Concerning incense, suffumigations, perfumes, odors, and similar things which are used in magical arts Chapter XI - Of the water, and of the hyssop Chapter XII - Of the light, and of the fire Chapter XIII - Concerning the precepts of the art Chapter XIV - Of the pen, ink, and colors Chapter XV - Of the pen of the swallow and of the crow Chapter XVI - Of the blood of the bat, pigeon, and other animals Chapter XVII - Of virgin parchment, or virgin paper, and how it should be prepared Chapter XVIII - Of wax and virgin earth Chapter XIX - Concerning the needle and other iron instruments Chapter XX - Concerning the silken cloth Chapter XXI - Concerning characters, and the consecration of the magical book Chapter XXII - Concerning sacrifices to the spirits, and how they should be made

BOOK II - CHAPTER IX OF THE FORMATION OF THE CIRCLE HAVING chosen a place for preparing and constructing the Circle, and all things necessary being prepared for the perfection of the Operations, take thou the Sickle or Scirnitar of Art and stick it into the centre of the place where the Circle is to be made; then take a cord of nine feet in length, fasten one end thereof unto the Sickle and with the other end trace out the circumference of the Circle, which may be marked either with the Sword or with the Knife with the Black hilt. Then within the Circle mark out four regions, namely, towards the East, West, South, and North, wherein place Symbols; and beyond the limits of this Circle describe with the Consecrated Knife or Sword another Circle, but leaving an open space therein towards the North whereby thou mayest enter and depart beyond the Circle of Art. Beyond this again thou shalt describe another Circle at a foot distance with the aforesaid Instrument, yet ever leaving therein an open space for entrance and egress corresponding to the open space already left in the other. Beyond this again make another Circle at another foot distance, and beyond these two Circles, which are beyond the Circle of Art yet upon the same Centre, thou shalt describe Pentagrams with the Symbols and Names of the Creator therein so that they may surround the Circle already described. Without these Circles shalt thou circumscribe a Square, and beyond that another Square, so that the Angles of the former may touch the centres of the sides of the latter, and that the Angles of the latter may Stretch towards the four quarters of the Universe, East, West, North, and South ; and at the four Angles of each square, and touching them, thou shalt describe lesser Circles wherein let there be placed standing censers with lighted charcoal and sweet odours. These things being done, let the Magus of Art assemble his Disciples, exhort, confirm, and cheer them; lead them into the Circle of Art and Station them therein towards the Four Quarters of the Universe, exhort them to fear nothing, and to abide in their assigned places. Furthermore, let each of the Companions have a Sword besides the Sword of the Art, which he must hold naked in his hand. Then let the Magus quit the Circle, and Kindle the Censers, and place thereon exorcised Incense, as is said in the Chapter of Fumigations; and let him have the Censer in his hand and kindle it, and then place it in the part prepared. Let him now enter within the Circle and carefully dose the openings left in the same, and let him again warn his Disciples, and take the Trumpet of Art prepared as is said in the Chapter concerning the same, and let him incense the Circle towards the Four Quarters of the Universe. After this let the Magus commence his Incantations, having placed the Sickle, Sword, or other Implement of Art upright in the ground at his feet. Having sounded the trumpet as before taught let him invoke the Spirits, and if need be conjure them, as is said in the First Book, and having attained his desired effect, let him license them to depart. Here followeth the Form of the Circle, wherein whosoever entereth he shall be at safety as within a fortified Castle, and nothing shall be able to harm him.

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